RUN TO END POVERTY: promotional film for Engineers Without Borders
Last summer I was asked by Engineers Without Borders to provide some coverage of the Run To End Poverty event here in Vancouver, BC. Myself and friends Alejejandro Zuluaga and Andres Salas shot it over two days and since, it’s become a fairly drawn-out side project for me (mostly because Christian is too nice and let me stretch deadlines a couple of times) that’s finally been posted on their website, and so I’m now able to share the video with you.
The Run To End Poverty was started by Christian Beaudrie while he was on a placement near Tamale, Ghana with Engineers Without Borders a few years back. It is either 5K or a half marathon and is a fundraiser in support of international development of third world countries where extreme poverty is a real issue. Christian wanted me to emphasize however – the run is not just for Engineers Without Borders – anyone can participate – in fact all individuals and organizations are encouraged to join in their city’s Run To End Poverty (presently held in Vancouver, Montreal, Winnipeg, and Waterloo) and if their city does not have a run, start one! Contact Christian at the Run To End Poverty website if you want to learn more. Here in Vancouver, the event piggybacks on the Scotiabank Half Marathon and on similar runs in other cities across the country.
One note on the music I’d like to make – and of interest to filmmakers – the two songs you will hear were blasting in the background during the race, and I leveraged this in post, laying down the real tracks for effect without a lot of consideration for rights. I do consider music rights of course – before using Tegan & Sara’s song in the trailer and then the full length versions of Surviving In The Cracks, I got their permission; Anyhow, last summer, when the bulk of this short was shot and edited, I highlighted to Christian this might be an issue, but we decided to push ahead believing the owners of the music would allow it, especially considering the non-profit use of this film. Interestingly however, Youtube muted Dire Straits’ song automatically when Christian tried to upload it there last week, so for now we’re hosting it elsewhere (my Vimeo account – with tight restrictions on embedding and sharing enabled to avoid being blocked again). Youtube is still our ultimate destination to reach the largest audience and in the meantime Christian has approached Dire Straits (and the Soca Boys too) to get their official permission. I am very interested to hear their answer.
