DOC BC presents Countdown to Storyville with Rudy Buttingnol Monday, August 9 at 6pm PST.
I’m just helping to promote an event for The Documentary Organization of Canada BC Chapter (DOC BC), one of the organizations that has been instrumental in keeping me informed about the documentary film industry, and one whose workshops I have been attending since before I went to film school.
DOC BC will be hosting a live event at W2 Storyeum. You can attend the workshop in person or watch vie webcast from the DOC BC website – I do recommend watching from the UStream URL however as the video player is better quality than the one we are able to embed on the DOC BC site. The URL for this webcast is http://www.ustream.tv/channel/doc-bc-presents-countdown-to-storyville.
Last year I actually applied to pitch Surviving In The Cracks at Storyville and, after witnessing what really goes down (at Storyville VIFF and similarly at the Toronto Documentary Forum at Hot Docs), I admit I was a little relieved it wasn’t selected. It would be quite nerve racking to get up in front of a full house at the Vancity Theatre and tell a bunch of global industry professionals (with many many more years experience than I) why they should support/fund your film. This workshop is a great idea for people to practice their pitches in preparation for the real Storyville that will be taking place at VIFF in the fall. It should be an interesting evening indeed.
Here is DOC BC’s official blurb about the event:
The DOC BC Professional Development Committee is excited to introduce a unique opportunity for DOC members to test-drive Storyville pitches under the guidance of the esteemed RUDY BUTTIGNOL.
Storyville will take place during the Forum at the Vancouver International Film Festival on September 28th. Its aim is to stimulate the co-financing and co-production of the creative, feature length documentary by developing long-term strategic relationships with potential co-producers and enhancing the development of viable projects.
On Aug 9th, at W2 Storyeum, 151 West Cordova, Vancouver, starting at 6 PM, Rudy will join us in an interactive session to analyze and workshop project pitches. With the focus being on how to strengthen demos and improve oral presentations, this will be a valuable experience for participants and observers alike. Anyone is welcome to observe.
And a blurb about the live stream:
DOC BC will be streaming the workshop on Monday, AUGUST 9th, starting at 6 pm!
Take part in person or virtually via our webcast in the DOC BC workshop on pitching documentaries with RUDY BUTTIGNOL. Rudy Buttignol is a tutor at Munich’s Documentary Master School, and moderates financing forums in Amsterdam and Leipzig. He is the President and CEO of Knowledge Network Corporation.
Streaming is free for DOC BC members but you must register to get access. DOC members from other chapters and documentary filmmakers who are not members of DOC are welcome to watch the pitch training session by joining online. The cost is $16.89. We will send the URL and the password two hours before the workshop. Registration to watch the event online will be closed three hours before the workshop.
For more information and to REGISTER ONLINE: http://docbcpitchingworkshop.eventbrite.com
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DOC BC – Documentary Organization of Canada
The voice of Canadian Independent Documentary
137-2906 West Broadway Vancouver, BC V6K 2G8
Email: docbc@docbc.org www.docbc.org
Are you a DOC member interested in volunteering?
Please email us at docbc@docbc.org
TIMELAPSE EXPERIMENT #2: still some bugs to work out
So here’s a second attempt at a timelapse and I’m still learning so please forgive the imperfections.
The biggest bother in this one are the jumps in the image 4 or 5 times in the sequence. I was shooting with a much longer focal length, about 110-120mm vs about 16mm before and I believe I also had the lens on Image Stabilization – the combination of these two were probably the cause of the jumps in the image you see. Even walking by the camera with these settings (on the second floor of wood and brick apartment building where the ground isn’t super stable like the concrete floor of my last apartment) would also explain where the jumps came from… shouldn’t IS keep the image from doing that? Fine vibrations are dampened by IS yes. Bumps or moves near the camera can set off the IS to adjust the image slightly that will appear as vibrations in this timelapse. That’s just a theory at this point – but I’ve worked with this lens long enough that I’m pretty confident that IS should have been off.
Other changes – I shot on large jpeg rather than raw (so I could get more images onto the card for a longer timelapse) – and had the intervalometer set to fire every 5 seconds rather than 15. This smooths out the motion and slows it down compared to my first timelapse but you can still see the trees in the foreground moving around erratically, which I understand can be smoothed out if I use a longer shutter speed to let the motion blur a bit. Next time.
BTW, this was shot through the bedroom window of my new apartment. Nice view huh?
Music is Joga by Bjork.
Oh and don’t forget to hit the fullscreen button to view it in 1080p!
DIG IT: My First Timelapse
Okay so it’s short and sweet, certainly no Sean Stiegemeier, and yes there are things I will do different next time – but hey – my first attempt at timelapse sequence was fun and, I’d say, successful (enough to post it here anyways).
The process for these 11 seconds of ‘wow, neat’ factor took 285 frames from my still camera using an intervalometer to fire a frame once every 15 seconds over the course of about an hour. I then batch processed the lot in Aperture and cropped them down from their native 21 megapixels to 1920×1080 or full HD resolution. Some contrast adjustments, vignette, and the like to give it some pop (as these were stills, I knew how to do this quite easily, whereas I still need some work with color timing video footage). Import the lot into Final Cut, drop it into a timeline with some music, output to a Quicktime movie and voila. I’d say I’m hooked… expect to see more from me in the future.
KA-BOOOOM!: a temporary departure from Changing The World to Pure Unadulterated Escapism
Oops left the burner on again - Cory makes a quick exit form the living room - take 2
This weekend I was assisting/operating/photographing/data wrangling for the pilot of a new television show – a television show where they like to blow things up, set people on fire, launch guys out of buildings several times, and such.
Okay, so it’s not exactly the kind of stuff that’s going to make the world a better place but it was pretty fun. For the three days on set I saw the same stunt man, Cory, be lit on fire countless times, get launched through a kitchen wall twice and blown out a living room window twice. I also filmed my first “squib” a small explosion that set off a blood spatter (that sprayed the whole left side of my body and the camera I was operating with fake blood). This was also the biggest crew I have ever worked with (I am used to DIY (do it yourself) or very small crews) and the community on set was again, fun. By no means will I stop working on my own projects – but I’m not against throwing one of these in every once in awhile for some simple fun – and now we’re cooking with gas. Pun intended. Got some cool stills too – production still photographer for hire - any takers?
UN-fortunately however, my pricey 24-70 2.8L lens got damaged… but at least it didn’t get dunked like the sound guy’s $1,500 microphone.
Cory rehearsing a quick exit from the kitchen.
Cory making another quick exit from the kitchen. Yes, this time he's on fire.
SEAN STIEGEMEIER: Iceland, Eyjafjallajökull
Simply Gorgeous. I just had to share. This guy, Sean Steigemeier, is my new hero.
HOT DOCS INSIDE OUT – DAY 11: Last Day
Farewell My Friends - Doc U at Hot Docs 2010
Okay… In Vancouver now and finally trying to close the week of Hot Docs blogging. I’ve had a couple glasses of wine and I’m still sleep-deprived from the week, but here goes.
This morning (Friday morning) our last Doc U session was with Robin Smith of Kinosmith, the distribution company of docs such as Rip: A Remix Manifesto and Up The Yangtze (the latter which put Kinosmith on the map). I really appreciated the frankness of Robin. He did not hold back from his opinions of the NFB and the CBC, and his opinions were mixed, shall we say. He provided one example that I won’t get into the details over but let’s just say that the commercial launch of the DVD of one of his films was in competition with the free streaming version on nfb.ca. Kinosmith asked the NFB for a temporary removal of the film but it was not granted. It’s tough to compete with free but I am also reminded that, as the NFB is a publicly funded producer, we the taxpayers have already paid for the right to watch the film. Tough call. I’m sure there are many details and insights I am missing here, but the bottom line is that I really liked and respected Robin Smith and his honesty. I also appreciate the NFB for sticking to their guns. I hope, over time, I still admire and respect each the same as I do today.
The final hurrah
That was the last session of Doc U for 2010. I have to say that the experience was the best I’ve had in my new career (besides the experience I had shooting Surviving In The Cracks). I made lots of new friends, contacts with big time distributors, saw lots of great films and had a little too much fun at the parties.
Later that evening I went to the awards ceremony and the festival wrap up party with my new friends made at Doc U. Only one of the films I saw this week was nominated for best-of awards (Arsy Versy), which indicated that, despite my best efforts, I still didn’t see that many ‘critically-acclaimed’ films. That’s fine – especially since judging a film as the “best-of” is a tricky thing to do… judges may be experienced (or not) but they still have their subjective tastes… the only legitimate award is the democratically decided Audience Award, but even then, these can be biased too depending on the audience, and how well the filmmaker was able to populate the screenings with the films supporters (this is more of a problem at the smaller festivals anyhow). That controversy aside, the highlight of the awards was seeing Nimisha Mukerji, fellow NFB Cookin’ Creative participant and co-director of 65_Red_Roses win the Don Haig award. Way to go Nimisha!
Anyhow, I ended the experience on a high note… partook in some festivities that night but left the party early to get some sleep in time for my flight back to Van. Sad to leave but happy to be home. Back in Van now and still feeling quite short on sleep… so off I go…
HOT DOCS INSIDE OUT – DAYS 9 & 10: Chasing the money at the Toronto Documentary Forum
Okay now I’m on the plane trying to squeeze my ancient 17” laptop open just enough to continue writing. The seat in front of me is reclined and my elbows are sticking out the sides.
A behind the scenes look at the business of doc film is what the TDF is all about and, despite my insistence that I love the art of film, the TDF could very possibly be the highlight of this Doc U Hot Docs experience for me. I learned more about pitching and the subtle and not so subtle conversations up on stage and from watching how others pitched their projects to commissioning editors than at any of the other seminars or summits I’ve been to. These are the documentaries that are currently in production, and will be seen perhaps in 2011 in festivals and television.
Hot Docs is a market festival meaning that the industry comes here to make deals, find films, and fill slots in their programming. (In contrast, a festival like DOXA only shows films – there are no summits, seminars, or pitch sessions that business people gather round to make deals.) The TDF at Hot Docs is the main event. It is first class. Held this year in the Royal Conservatory of Music, three rows of tables in a crescent shape surround a single table with the producer and director of the project being studied. A trailer or a demo for project plays above and the audience (observers) watch as the rights for the carefully prepared pitches are then bid on (or not) by broadcast executives from around the globe as they fill their slots for the year.
One of those executives is the curator for none other than Oprah Winfrey’s new documentary film club – which, similar to her book club, will be one feature film per month beginning in January 2011. She was the one I had my Rendezvous meeting with – to talk about my new film project. Besides just having the chance to pitch to a person of her stature at this stage of my career, she actually showed some genuine interest, and left the door open to stay in touch as the film reaches its finishing stages.
That meeting and the TDF are the business of documentary. The films we are making need to fit the slots that are available and the audiences of the broadcaster. In order to make the film something that Oprah’s audience will want, I would need to modify my original vision, especially the length. Is this a trap? Ekhart Tolle didn’t write a New Earth to suit the requirements of Oprah’s Book Club and to please the demographics and tastes of the readers, at least I hope he didn’t. Of course, I’m no Ekhart Tolle either. I think the best thing to do will be to follow my instinct to tell the story as I see and feel it – and if this resonates with Oprah’s audience, well that’s obviously a great big plus. In order to survive here, in film, catering to the requirements of the market will be necessary – let’s not be naïve. But I don’t want to get lost in it, or be dictated by it. If I do, I will be chasing the money again.
HOT DOCS INSIDE OUT – DAY 8: What the [bleep] is new media?
The festival is over. I am now sitting on the floor, plugged into the only power outlet near my gate at the Pearson airport, catching up with my blogging before the 5 hour flight home to Vancouver. The last few days I’ve taken a break from writing but let me assure you that there has been plenty going on. Exhausted by all of the screenings, summits, seminars classes, pitches and meetings – something had to give. So I apologize to you, my three readers, for letting the blog slide. In the next few posts are a summary of the highlights and lowlights from the rest of the week at Hot Docs 2010.
On Tuesday – Day 8 – I went to the NFB Coffee Talk: Digital Content Strategy. The two-man panel of Rob McLaughlin and Hughes Sweeny began by framing the discussion with this: demographics are changing, the democratization of media is here (whether it’s here to stay is another thing), and technology is the catalyst for the new canvas called new media. The last time there was a change like this was in the 1950′s. I, along with the standing-room only crowd, hung on every word as they shared their expert opinions on where this industry is going. Something that I am hearing over and over again is that television is dead, film is dead, and that, to my great dismay, the linear documentary is dead. That’s a little disconcerting of course, so everyone who happens to do that for a living is listening to anyone who will give them some semblance of hope as they gaze into their crystal ball to predict the future. I am a little skeptical of anyone who claims to know what the future looks like, and what I got from this talk was the same thing I already know: nobody knows what new media, cross-platform, cross media, 360, or whatever you call it, is – because it hasn’t happened yet. The canvas is blank. The ‘model’ doesn’t exist. And, as funding for linear stories dries up, the recently announced pool of twenty-eight million dollars called the New Canadian Media Fund will be hotly fought over for projects that may pioneer this new ‘model’ for the future of our industry.
Only one year into this industry, I am being challenged to adapt to the changes in the industry. I am tech savvy. I am business savvy too. I believe I have all of the skills I need to succeed in the “new media” world. But I have chased the money all of my life and my move into this field was to create linear stories. I don’t think the linear documentary is dead. What I am hearing sounds a lot like what was being said at the dawn of colour film – that black and white photography was dead. Half a century later, it’s still here, and as beautiful as ever. The linear documentary is similarly not dead. The craft of creating a story with a beginning, a middle, and an end will remain.
Days 9 & 10 in my next post.
HOT DOCS INSIDE OUT – DAY 7: The Devil Operation
I’m burning out a little. My lack of sleep (caused mostly by staying up late or rising early to blog) has caught up with me and so I’m behind a bit on my posts. I still intend to at least touch on the happenings for the rest of the festival, but I may not go into any great depth, to reserve my energy to experience the festival. There, now I can write.
The Doc U classes began today with Waterlife creator, Kevin McMahon. The most valuable piece of information from this session is one that might seem obvious. Kevin is always prepared before he goes into shooting – a lesson he learned the one time he went in without a plan, on An Idea of Canada. He puts constraints on himself during production and ‘works within the box’ in order to give the film a definitive aesthetic style – without it there is confusion and disarray. The phrase ‘work within the box’ caused me anxiety as I imagined Beautiful Creativity being thrown into shackles and locked up in solitary confinement… but then, as he quickly added, research is naturally conducted without restraint, working outside the box, so to speak. Whew.
Following Kevin, we had Deborah Parks, producer of Life With Murder. This was an energy-sucking session for me… My heart slowly sank into my stomach as Deborah drove home many points that I have heard before but have been in denial over… “the financial challenges of being a documentary filmmaker are high, regardless of experience” Heart sinking… “It’s hard for new filmmakers to find experienced producers…” further… “99.9% of films do not make money (so get paid while you do it)…” down… “People have lost their homes doing documentary films…” into the pit of my stomach. By the end I was questioning why I had entered this field at all. Our afternoon screening of The Devil Operation, and our next Doc U session with filmmaker Stephanie Boyd, reminded me why: for the passion of it. Thank you Stephanie.
The Devil Operation is a story by Oshawa-based filmmaker Stephanie Boyd, who will be one of our Doc U mentors tomorrow. Stephanie has lived in Peru for 13 years and began as a journalist with CUSO, and hooked up with a group of Peruvian filmmakers to tell her stories and reach a bigger audience.The Devil Operation is the third film in a trilogy by Guarango Association and is about the struggle in Peru against foreign (Canadian) mining interests. With damning evidence it exposes is that Peruvian farmers, who are standing up to keep their homes and water (which would be destroyed by the mining operations) are being spied upon, terrorized, and murdered by Peruvian private security forces – basic logic will connect the mining companies’ interests as the cause. Aesthetically this film was not my favorite – the narration and the music seemed a little much for me – but overall this is a well-done, compelling activist film with an important story and we should pay attention. I won’t look at a mining company the same way again. Vancouver-based Manhattan Minerals Corp. was a company that was eventually pushed out of Peru (and now they are operating in Turkey under a different name). You or I, or any of our proudly Canadian friends could be happily commuting to and from the offices of a company like Manhattan Minerals, sending our kids to school and soccer, having barbeques on weekends and going to the cheap show on Tuesday nights. That spreadsheet you worked on for your supervisor Friday afternoon could contain that little bit of data that tipped the company towards more development which consumed the water supply before it could reach the farmers further down the valley. This film helps connect us to the consequences of our privileged and often ignorant lifestyle and gives us an opportunity to use our conscience when we choose where we work and what we buy. How many people do you know that work in the mining industry, or provide services in some way to the mining industry?
Father Marco, a humble priest from the mountains of Peru, is being followed. A private security firm is filming and photographing the priest’s every move; their meticulous reports are code-named “The Devil Operation.” Marco’s allies are murdered and tortured, but he and his disciples refuse to be victims. They turn their cameras on the spies and develop a counter-espionage plan that leads to an American-owned gold mine. For the past decade, the priest has defended farming communities against the mine’s abuses, earning him the nickname ‘The Devil’. This real-life political thriller shows how to catch spies in their own web.
HOT DOCS INSIDE OUT – DAY 6: Doc U Day 1. Feeling a little low.
Doc U Day 1. Today we all met. I am tired of blogging now.
Fine. Continuing, we went around the room and introduced ourselves, and our favorite films. In case any of these newish filmmakers (some are newer than others and our ages range from 20 to in-their-50′s. I, along with many others fit nicely in the middle… ) So as I was saying, if any of these filmmakers become famous, then I will be able to boast that I was in their Doc U class in 2010. Here are their intros as we went around the room:
Firstly our two mentors:
Daniel Northway-Frank is the coordinator of Doc U and many other things here at Hot Docs as well as an excellent and enthusiastic host. He made darned sure we all made it to brunch safe and sound, at a charming Italian wine bar and bistro, Langolino, near Kensington (first time I’ve seen that area of Toronto – love it!).
Jeremy Gans stumbled into doc film from journalism and some time spent at the CBC. His directorial debut was a film called No Past To Speak Of, which screened at Hot Docs in 2006. Both Jeremy and Daniel have already gone out of their way to help Anam, myself, and Hayley for our Rendezvous meetings. Thanks guys.
Doc U Recipients 2010:
Jodie Martinson, Masters of Journalism UBC, her doc To The Tarsands screened at the Calgary International Film Fest and DOXA. Wow. One favorite film: Iraq in Fragments.
Anam Abbas, U of T, Sheridan College. Fave: Up the Yangtze
Ajit Zacharias, successful software developer, now a creative producer, Sheridan College. Didn’t hear his favorite film, sorry Ajit.
Zdravco Jovanovic, MFA York, he’s a triplet. Missed your fave too Zdravco.
Me, Greg Masuda, for readers who don’t know me. Langara College, mechanical engineer. Fave: Born Into Brothels, now also Czech Dream, and I just thought of another: King of Kong.
Gabriele Kislat, an experienced DoP in fiction, now a director/DoP in documentary, she’s Quebec’s TDF recipient, like I am BC’s. Fave: Sari Soldiers
Jules Koostachin, Ryerson U, Cree, daughter of a residential school survivor, mother of four, and a very impressive CV including theatre, film, and aboriginal and women’s social issues. Missed your fave Jules.
Kathleen Mackey, Ryerson. Makes personal films. Fave: Bright Leaves
Sue Johnson, Ryerson. Enjoyed your film at Doc Shop Sue. Fave: The Beaver Trilogy.
Chris Bevacqua, Langara College, photographer for social and street newspapers, ex-social outreach worker in Vancouver. Fave: Hoop Dreams (can’t believe I still haven’t seen this one)
Kevin Caners, Algonquin College, has mechanical engineering to fall back on if film doesn’t work out for him (sound familiar? …for those of you who don’t know I also have a mechanical engineering degree) – don’t do it Kevin. Fave doc: Fog of War or Manufacturing Consent.
Wendy Dallian, Capilano U, worked for the David Suzuki Foundation for 8.5 years, including directly for David Suzuki and his wife. Fave: anything by Werner Herzog.
Thomas Retzlaff, representing the prairies – U of Regina. Everyone else here is from BC or Ontario, and one from Quebec… Where is the rest of Canada? Fave doc for Thomas: Don’t You Forget About Me
Hayley Crooks, Queen’s U, has 7 Rendezvous meetings! Did I mention she has 7 Rendezvous meetings? Missed you favorite film, Hayley.
Ashley Burke, Masters of Journalism, Carleton U, CBC Radio has syndicated some of her radio shows. Fave: Errol Morris’ first film Gifts to Heaven (did I get that right?)
Marcus Pukonen, Capilano U, stand up paddle boarded from Vancouver to Nanaimo to raise awareness for – I think – sewage treatment (lack of) in Vancouver, plus filmed it for his doc project. Fave: The Yes Men or Carts of Darkness
Tavi Parusel, Capilano U, this kid (I’m almost twice as old as him!) screened his first film at two festivals and has won awards. Fave: Man on Wire.
Reviews today:
Okay, I’m not a movie critic as you’ve probably figured out by now, and honestly, I’d prefer to spend less time on my computer on this trip so I’m going to try to keep these review to a minimum. Firstly, my screening schedule has changed quite significantly. For my first show today I had two options selected but opted for a third at Daniel’s suggestion (The Player with Dear Matthew)…
Dear Matthew - short film about a son, from the father’s perspective. The son was an artist, who went missing one day, I don’t remember how many years ago, and never returned. The father’s wife died wishing her son would return. This was a touching story, the pacing and music was appropriate, but this was your standard portrait. Technically it was fine. Editing fine. Everything fine. That’s it – there is nothing really unique or groundbreaking about this film, except that it sets up the next one, The Player, also a father-son story, but this time about a father told from the son’s (also the filmmaker) perspective. This reminds me that film selection for festivals is not only dependent on the qualities of a particular film over another, but also for programming considerations – i.e. does it fit in a certain ‘theme’, a niche, or a slot that could be quite specific. In this case, I believe Dear Matthew was that film. A fine film, and a complement to the feature for this programming slot at the festival. 3/5
The Player – as already mentioned, a son, the filmmaker John Appel, tells the story about his father, a gambling addict. A quick aside: Chris Bevacqua commented earlier this week that he is not a Rush fan, but that the film Rush: Beyond the Lighted Stage was excellent and it didn’t matter that he was not a fan – something that only a good film can do. That’s how I feel about this film. I have absolutely no interest in gambling. I’ve been to Vegas and didn’t even play the slots. I do not enjoy poker, casinos even faux-casinos, or the horse races. It’s just not my thing. As hard as my mind seemed to try however, it could not turn my interest off in this story of an addicted gambler and the effect it had on his family. Good storytelling, interesting subjects, the filmmaker’s POV, good technicals all made this a surprisingly enjoyable experience. 4/5
133 Years of Music In Six Solos – sorry I had to take this down since it’s now being submitted to festivals
The last thing I’ll talk about tonight is the International Doc Challenge… no our film, 133 Year of Music In Six Solos, did not make the finals. The experience of watching the 12 that did deflated me a bit… I felt pretty strongly about this little piece as we waited for the jury decisions, and watching the 12 last night brought back those feelings of disappointment …anyhow there were some very strong shorts in the Doc Challenge this year and my congratulations to all of the finalists. The great thing about this competition for me was that it unblocked me – focusing on Surviving In The Cracks for so long had frozen me I think. For the Doc Challenge I was literally forced to be creative again – and to shoot, edit, master and deliver a film about something that I know little about, in a very short period of time. It’s a piece that, in the end, was just fun – eye candy and ear candy; it has no social, environmental, or political agenda whatsoever. I am embedding 133 Years… here again.
Okay, I’m going to give myself a break now. Blogging every day is exhausting and I’m sure my writing must be suffering. I haven’t given up on photos, I just forgot the cable for my camera – a final funny anecdote to remember from my 2010 Hot Docs experience. Yesterday as I emerged from the Museum Subway station, I was greeted by thousands of cannabis fanatics and a pot parade for the Freedom Festival. This morning as I emerged from the same station I found myself surrounded by hundreds, maybe thousands of police officers for a police parade. It was funnier that it sounds. I just love the contrast. I snapped pics of each, and will share eventually I think. But now it’s 1:02am. Goodnightynight.
Pot Parade on Saturday...
...Police Parade on Sunday, in the same park.
HOT DOCS INSIDE OUT – DAY 5 (SATURDAY): A big day, six reviews.
Sitting in the dark on a sunny day at Doc Shop.
I’m a little troubled today. I managed to see a total of 6 films yesterday, plus seven of my fellow Doc U delegates’ at Doc Shop. To all but one, I would give a solid 4/5 or 5/5. The final one however troubles me – the one which I feel I am being generous by giving it a 3/5. You see, Doc U officially begins today, and are mentors work on certain films at this festival – four of eleven mentors have significant roles with that final film, Life With Murder.
When I am watching a film, I make note of when I begin to analyse it. Was that shot in focus, was that cutaway relevant, what’s the font on the intertitles… in a good film, I will be so engaged in it that I these things just never enter my mind. While this film was strong technically, had experienced filmmakers and producers behind it, I began to find myself analyzing (and criticizing) the visual and storytelling style and techniques very early in the show. They stood in the way of my ability to care about the subjects. I think that I should have cared, and I honestly tried to.
The way that the film as lauded in its introduction and from the opening and closing comments from the director, it seemed ‘we all’ should regard the movie as a masterpiece of storytelling. Some of the comments from the audience in the Q&A supported this. I think the audience may have been divided however because, at least among the four Doc U students that I was with during the screening echoed my thoughts, although I am still trying to articulate why. Yes I had some interest in the story, but it seemed, for me at least, to be coming from a place of sensationalism.
Film is a visual medium, and needs to be beautiful to engage a person to sit and watch for 5 minutes let alone for 90. By beautiful I don’t mean pretty girls, rolling landscapes, and perfect technical execution etc. – beauty can be found in imperfection and in the most offensive objects – in my early days as a photographer I would go out on photo walks and challenge myself to find the beauty within things like garbage. This film was not beautiful for me. Given an occasional pretty establishing shot, overall it appeared flat and unflattering to its subjects. The storytelling was also unflattering. Sure, it was communicated effectively – I paid attention to what was happening, but it seemed forced, contrived – like the filmmaker was telling the story his way, not acting as the medium for the subjects to tell their story. Life With Murder is the story of a family who is struggling to deal with the murder of their daughter by embracing their son that killed her. My criticisms here have nothing to do with the story, everything to do with the way the story was told. Please don’t kick me out of Doc U. 2/5… okay, okay 3/5
Quicky Reviews:
Czech Dream – brilliant – two Czech student filmmakers make the world think twice about the drivel we gobble up every day by staging a fake ‘hypermarket’ launch using the tools of mass media. This film in competition in this festival, it was made in 2004 and is a re-screening as part of the ‘Ripping Reality’ series at the festival this year. 5/5
Arsy-Versy – beautiful and quirky – about a 50 year old bat photographer revealing his piece de resistance and the relationship with the mother he still lives with. I think this was shot with a DSLR and it looks gorgeous. The filmmaker was the nephew of the main subject, the grandson of the subject’s mother, and helps explain how lovingly this story is told. 4/5
The Invention of Dr. Nakamats – I mentioned to Chris on Thursday that it was unusual for a Japanese to thrust his card into my hand with one hand. The film is revealing in that this is one Japanese man who identifies more with his celebrity than his humility. It still baffles me a little that Dr. Nakamats is traveling to promote this film that portrays him so poorly. But, perhaps the joke is on us. 5/5
6 Weeks – A Polish film about living in the brief but sadly (and probably unavoidably) sterile, unloving limbo between birth and adoption of newborn babies. The POV of the baby was neat, the music simple and haunting. 4/5
Chemo – Beautiful and beautifully simple. I haven’t seen anything more intimate this year, perhaps ever. Its minimalist style is simple, effective, and reminiscent of so many fringe plays where one or two actors perform only with their dialogue on an empty stage. 5/5
Well, I am out of time… Doc U begins at 10am.
HOT DOCS INSIDE OUT – DAY 4: Everyone’s a critic. Even me.
If you take another look at Day 3, you’ll see that I was overly ambitious with my movie viewing today. While my plans had me seeing four films, I managed to watch only two. The first change happened when I had to leave the Isabel Bader theatre after Babies to get back in line for Rush: Beyond the Lighted Stage. And what a line it was. Both Babies and Rush: Beyond the Lighted Stage received a disproportionate amount of publicity due to their screenings last night, the opening night of the festival. Babies is having a massive North American theatrical release following the festival. Their popularity at the box office reflected this publicity (line ups around the block), and proved that our society – well, the choices we make of what we consume at least, are highly dependent on the media. I am just as guilty. That’s why I decided to see Babies today – I wanted to know what all the hype was about. Similarly, with all of the films out there – shelves and shelves of them at the video store, thousands on television and perhaps millions on the internet – I gravitate to the ones with the best critics quotes on the package. It saves me time and improves my chances that the viewing experience will not be a wasteful one. But it also robs me from experiencing the great films with far less or no marketing. So here I am, the hypocrite, about to ‘review’ a movie or two, and add to the media circus, for what it’s worth to the reader, for what it’s worth to the film.
Hmmm. I’m feeling a little feisty tonight. Probably not a great time to try my hand at being a movie critic. Plus I don’t really know if it’s a good idea for filmmakers to criticize other filmmaker’s work. Courage Greg (or stupidity). Here goes.
Review: Babies – Thomas Balmes
Follow four babies from four countries (Namibia, Mongolia, Japan, and the US) from birth to bipedism. Like nothing I’ve ever seen in a film, I admire the courage (and the patience) of the filmmaker and his attempt (intentional or not) to put the onus on the audience to decide what this film is about. Some will adore it for it cutsie putsie surface qualities – after all, babies and absolutely everything they do are cute. And these babies are sickeningly cute. Much of the audience will be happy to see it just for that, and go no deeper. But some will attempt to go deeper and decide this film is a silent commentary on the common ground we share as humans, despite the contrasts we have in our geography and culture; people will be aghast with the “primitive” way in which some cultures raise their children, other people will be more self critical – aghast with the ridiculousness of western ways of raising our kids. Still others will see this film as a window into our own behaviour as human adults – both the joy and the hopelessness. From absolute happiness to fear, frustration, curiosity and cruelty, we as adults behave in exactly the same manner, albeit with the burden/responsibility of having to deal with the consequences that moral, ethical, and legal consciousness carry. I think I see this film as all of these. Summary: Courageous. Fun. Cute but not too cute. A little long. Love the music but each time (several times) the same song played I thought it was cuing the credits – it wasn’t. Technically falls short of expectations. Definitely falls short of the hype. 3/5
Review: The World According to Ion B. – Alexander Nanau
Seriously, I’m too tired to write another review tonight so I’m cutting to the summary. Summary: A solid textbook portrait doc about a world-reknowned artist’s rise to stardom from the gutter (literally). A political film about a political artist. Inspiring. Purposefully remains true to the artists’ rise to fame, his work and his political motivation – the celebration of the artist is not stolen by the story of the gallery-owner’s agenda, which in the film appears well-intentioned, but as we learned in the Q&A with the filmmaker, was rooted self-service. 4/5
In other news, I learned today that one of my Rendézvous requests was accepted by a distributor out of California. Next Tuesday I have a 15 minute slot to pitch my new project Alexis.
Well, turning in a little early tonight to get a good night’s sleep. Tomorrow is a long day – lots of screenings and in the morning I’ll have a look at the Doc Shop, the online market where Surviving In The Cracks can be screened. GNight.
HOT DOCS INSIDE OUT – DAY 3: Opening Gala, Bottomless Drinks & Dr. Nakamatz!
Lotsa Hot Docs stuff
It must be something about the air in this town, because in any normal environment, I would be a write-off this morning. By write-off, I mean hung over. That, or maybe they were watering down the wine. Last night was a hoot, and the drinks were bottomless, as the Doc U crew descended on the ROM (Royal Ontario Museum) for the Hot Docs kickoff gala.
Earlier in the day Chris Bevacqua and I went to pick up our delegate packages. The sun was out as we hoofed our way along University from Queen to Bloor and back. We bumped into Jon Ornoy near the registration building and sat down for a chat. He’s in town to pitch With Glowing Hearts, his doc about social media and the Olympics.
We picked up our recyclable Hot Docs bag, full of a lot of stuff that is bound for the recycling bin, but a lot of useful things too, like our travel allowance cheque and our program guides. Some party invitations were in there too, but I think I probably had enough at the gala to last me a few days. As Chris went back to the hostel to rest, I found some jerk chicken and a sunny spot in the grass at Osgoode Hall and began marking up my agenda for the next 9 days. See the bottom of this post my schedule.
I put on my Sunday best (sneakers and a blazer) and caught the subway up to Bloor to meet up with the Doc U crew (some don’t arrive until the weekend). We shared a pitcher across the street then headed down the green carpet into the cavernous ROM.
Chris, Kathleen, Sue, Jules, Hayley, and Yours Truly
Doc U is actually put on by a combination of different agencies for different provinces. For BC and Quebec, this is Astral Media. For the Ontarian filmmakers, and there are many, the agency is ________ (help me here Ontarians). The TDF scholarship that Gabriele Kislat (from Quebec) and I receive is unique to the Astral Media version of the scholarship, as is the $1,000 travel assistance that all of us receive. Our Ontarian friends (Sue, Kathleen, Jules, and Hayley so far – also met Eric from Windsor last night but he didn’t show up until a little later) are quite a talented bunch. Sue, Kathleen and Jules are just finishing up at Ryerson University, a two year master’s program in documentary film. Hayley just finished as a film major from Queen’s University and has a very impressive 7 (seven!) Rendézvous meetings (15 minutes pitch sessions, your project ideas are selected by buyers and they decide if they want to meet you).
Heheh… a little tangent here: as I’m writing this entry in the hostel common room this morning, the feeding frenzy has begun. Sharply at 9:00am there is a good morning announcement and plates stacked high with pancakes are rushed to the table. Hungry travelers dig in. Aunt Jemima quivers with fear. Chewy.
Dr. Nakamatz and Me.
I’m quite looking forward to the Toronto Documentary Forum on Wednesday and Thursday – I actually bought a pass to watch Storyville at VIFF (Vancouver International Film Festival) last September and the first pitch on the TDF schedule is Family Portrait in Black and White by sister and brother team Julia Ivanova and Boris Ivanov, who also run many of the DOC BC workshops back in Vancouver. Their demo from VIFF was very effective, quite emotional, and I think successful as it seems they received some funding there.
As I shamefully double fist a wine and a very nice tequila, Chris and Jules approach me with (a little bit of drunken) excitement. Dr. Nakamatz is in the room! Dr. Nakamatz is none other than the inventor of the CD and the floppy disk among 3,373 others patents and he is also the star of The Invention of Dr. Nakamatz, a documentary which I will be screening on Saturday.
Here is my agenda for Hot Docs, as planned:
Friday April 30:
1:40 Babies
4:00 Rush: Beyond the Lighted Stage Lay in the grass
7:15 The World According to Ion B.
9:45 Gasland Slice and a beer then blog.
Saturday May 1:
2:00 Disco and Atomic War didn’t do that
4:15 The Invention of Dr. Nakamats (with Arsy-Versy) - was very cool
7:00 Chemo - beautiful
9:45 Doc U – Life With Murder Screening – not my cup of tea
11:59 The Year Punk Broke - too tired!
Sunday May 2:
10:00 Doc U Welcome
12:00 Doc U Brunch
18:30 Sex, Magic, Manifesting Maya - took a break
21:30 International Doc Challenge (133 Years will be there in spirit) – mixed feelings
23:45 Talhotblond - too tired!
Monday May 3:
10:00 Doc U – Creative Approaches to Docs (Kevin McMahon – Waterlife)
11:45 Doc U – The Producer’s Role (Deborah Parks)
14:00 Doc U – The Devil Operation Screening
16:00 The People vs. George Lucas (or Tues 23:45)
17:30 Hot Docs Happy Hour – visited friends Dan, Toni and Oliver
19:30 The Mirror (with Freshwater Plague) - still visiting
23:45 The Parking Lot Movie
Tuesday May 4:
14:30 Doc U – Off the Grid Doc Funding (Stephanie Boyd)
16:15 Doc U – Story Structures (Life With Murder team)Rendézvous meeting – Rendezvous delayed to Thursday
16:30 Doc U – Story Structures (Life With Murder team) - just caught the last bit
17:30 Hot Docs Happy Hour
18:30 12th and Delaware
21:30 I Bought a Rainforest
23:45 The People vs. George Lucas (or Mon 16:00)
Wednesday May 5:
8:30 Toronto Documentary Forum - awesome
13:00 Doc U – Kickstart (miss first 1/2hr for TDF) - stayed at TDF, then lunch with Gabi
17:30 Hot Docs Happy Hour - chilled out a bit, blogged
19:00 Space Tourists
21:15 Wasteland
Thursday May 6:
8:30 Toronto Documentary Forum – awesome once more
13:00 Doc U – Workshop (miss first 1/2hr for TDF) - still at TDF, then Rendezvous meeting with Sue Turley
17:30 Hot Docs Happy Hour - free drinks!
21:00 DOC Party - fun!!
Friday May 7:
11:00 Doc U – Selling Your Work (Robin Smith, Kinosmith)
12:00 Doc U – Wrap-Up Meeting
19:00 Hot Docs Awards
20:00 Closing Night Party
Apres gala (mellow subway ride)
Whew! That’s a lot of stuff isn’t it? Why on earth am I posting my schedule here anyways? I dunno, but I’ve done it so it’s too late now. Why on earth am I spending so much time on this blog??? The things I get myself into…
HOT DOCS INSIDE OUT – DAY 2: Arrival in the Big Smoke
Follow this beacon to find me.
Tired in Toronto. I lived here once, long ago. I only lasted 5 months into a 2 year contract and then I was poached by an ex-employer in Calgary, only an hour from my beloved Rocky Mountains. It was a no-brainer to leave back then but times have changed and Toronto now has more appeal. It’s good to be back.
Today was mostly a travel and catch up day. A short flight from Winnipeg, a thirty minute ride on my chariot (the airport shuttle) towards the Toronto Beacon; it stretches into the blue as the bus pulls up to the Hyatt Regency. As I step onto the sidewalk, I am immediately descended upon by a woman asking for $2. I deny her, apologize as I sling my pack on my shoulder, and begin to hike the five blocks to my home for the next 10 days: the Canadiana Backpacker’s Inn on Widmer, between Adelaide and Richmond, just around the corner from MuchMusic on Queen. To the south, the CN Tower stands unobstructed from view. Chris Bevacqua, also a Langara Doc Film alumni and a fellow Doc U recipient, arrives a few hours later and we decide to split a private room to avoid the frenzied dorms. Chris is also blogging his experience here at Hot Docs – check it out.
The house is full up. A medly of accents from India, Australia, Germany and the US fill the common room as I type. Some talk of going to Niagra, others of the party they were at last night. Others busily scan the screens of their computers. A growing group of travelers gathers to my right; there are welcome hugs as familiar faces join the crowd and introductions made for those who are still strangers. One thing that every person here seems to have in common – each is surely an entire decade my junior. A last smiling face appears at the door and the crowd of new friends leaves together for the beginning of tonight’s adventure in the City. Quiet.
Updates:
The interview at APTN yesterday went very quickly, and quite well, besides the spelling mistake in our last name. The APTN website has the interview online but it’s quite cumbersome to get to so I have taken the 6 minutes that Jeff and I occupied in the last bit of the news hour and posted it here to make it easier to watch. I don’t look or sound quite as bad as I thought I might, but it’s certainly a validation of why I prefer the viewfinder side of the camera. This morning as we drove to the airport, I teased my brother that his hair is brushed forward in a way that it might be mistaken for a combover. Gotta play the cruel older brother. Heheh. BTW when Todd Lamirande says “…just in time for Aboriginal Day” do you think I knew what he was talking about? Answer: no, and it shows despite my best efforts to play it smooth. I did look into it though and now I know that Aboriginal Day is June 21 annually, and celebrates First Nations, Métis and Inuit culture across Canada.
The screening went well too. As the lights dimmed to watch the film, we seemed to have less than half of our expected turnout, but as the lights rose for the Q&A, it seemed that the empty seats had sprouted a much larger audience, like mushrooms in the darkness. People laughed with Cody and cried with Amethyst. The Q&A, my first, was highly engaging and encouraging. I am looking forward to organizing a similar screening in Vancouver this June, perhaps on the anniversary of last year’s play, and perhaps at the same venue. As well I would like to organize similar events throughout Canada, and find a broadcaster who might like to show the film… perhaps the APTN? We shall see.
Well that’s it for today. Nap time I think. The festival opens tomorrow.
HOT DOCS INSIDE OUT – DAY 1: Kickoff report from Winnipeg and Toronto – a Screening and a Scholarship
Greetings to my readers – all three of you – and welcome to my kickoff blog entry for “Hot Docs Inside Out”. To begin, I have some good news and less-good news to report.
Firstly the less-good news. Surviving In The Cracks was not selected to screen at Hot Docs, DOXA, or Yorkton. Darn. But why is this “less-good” and not “bad”? Because of the good news that follows! (Also, if you missed it from my previous post, “133 Years…” did not make the finals of the International Doc Challenge, so it won’t be screening at Hot Docs either – but it did rank in the top 25 out of over 100 entries!).
So enough of the less-good news, let’s move on to the good news. There are three major things:
First, I am presently in Winnipeg for the “World Premiere” of Surviving In the Cracks at the Winnipeg Cinematheque, which happens tonight. As well, my brother and I will be interviewed this afternoon on APTN (Aboriginal People’s Television Network) which, I am told, will broadcast nationally tonight. I will tweet and Facebook the details of the broadcast when I know them. The interview will appear tonight on the APTN National News, which airs at 7pm Central (Winnipeg), 6pm in Alberta, and 5pm in Vancouver.
Dr. Jeff and Todd Lamirande on the set of the APTN National News in Winnipeg
Second, I have been honoured with the Astral Media TDF Scholarship at Hot Docs (only two in Canada, one from QC and one from BC – me!!). This means that I get the all access full-meal-deal – to see and participate in Hot Docs from the inside out, attend Doc U, the Toronto Documentary Forum (TDF), the opening gala, festival pass, plus travel and accommodation to Toronto for the whole festival. Wowzers.
The third good news, and something already underway that I am not blogging but I am very excited to be part of, is that I am participating in NFB’s Cookin’ Creative spring group back in Vancouver. Just want to say hi to any of you if you happen to be reading, and I think I’ll be seeing at least one of you at Hot Docs too!
My Brother's dog
My format for this will be a daily blog, starting now, April 27 through May 8, here on my website, plus regular live tweets throughout. I’ll also be linking back to my blogs from Facebook and Twitter so feel free to follow me/friend me from either, or both of those platforms.
Alright, here we go!
“133 YEARS OF MUSIC IN SIX SOLOS”: one of the top 25 films in the 2010 International Doc Challenge
Team Tippius’ entry into the 2010 International Documentary Challenge. Our assignment: Write, produce, shoot and edit a 4-7 minute documentary film based on the genre of music and theme of dreams/nightmares in 5 days. 130 teams from 11 countries are competing for one of 12 finalist spots and a screening at Hot Docs, North America’s largest documentary film festival, April 29-May 9, 2010 in Toronto.
Yesterday we learned that our entry into the 2010 International Documentary Challenge was ranked one of the top 25 films out of 130 entries from around the world. That’s Part 1 of the good news. Part 2 of the good news is that it was also selected for a special pre-screening at the NFB Cinemathéque on April 9 in Toronto (see previous post). Part 3 of the good news, and possibly the best news, is that we are now free to show it to you!!!
So what’s the bad news you ask? Well, here goes… we weren’t one of the Top 12 films, which means that we are not a finalist in this year’s competition. That’s a big bummer, but we’re keeping our chins up, considering where we did place, and considering we came into this competition with no crew and no preparation – I literally hovered my mouse over the registration button off and on for an hour (“should I do it, should I not”), minutes before the deadline, the night before the 5-day competition began (only a couple of days earlier I had never heard of the competition). That, and it was a lot of fun running all over the city getting private performances and interviews from musicians in their homes, studios, and gigs, at all hours of the morning, evening, and wee hours… I had 6 hours of sleep in 3 days… okay so some parts were more fun than others.
Anyhow, hope you enjoy the vid. Please leave a comment and/or “Like” the video. Spread the word – share/send the link to your friends – we want the biggest audience we can get. Cheers!
BTW – Wondering where we got the name ‘Team Tippius’ from? Well with minutes before the deadline to complete our entry, we had to come up with a team name, and lo and behold – our inspiration walks past…
Team Tippius, our frantic, last-minute name inspired by the darned cat.
“133 YEARS OF MUSIC IN SIX SOLOS”: film selected for a special preview screening April 9 at Toronto’s NFB Mediatheque
We received word today that our (Team Tippius’) entry into the International Documentary Challenge, “133 Years of Music in Six Solos”, has been selected for a pre-screening in Toronto, April 9. It will show alongside other Canadian entries at the NFB Mediatheque – John Spotton Theatre at 150 John Street, Toronto, Friday April 9, at 6pm. Admission is free, so go check it out! If we were going to be in town, we’d be there for sure. This event is sponsored by DOC – the Documentary Organization of Canada.
RUN TO END POVERTY: promotional film for Engineers Without Borders
Last summer I was asked by Engineers Without Borders to provide some coverage of the Run To End Poverty event here in Vancouver, BC. Myself and friends Alejejandro Zuluaga and Andres Salas shot it over two days and since, it’s become a fairly drawn-out side project for me (mostly because Christian is too nice and let me stretch deadlines a couple of times) that’s finally been posted on their website, and so I’m now able to share the video with you.
The Run To End Poverty was started by Christian Beaudrie while he was on a placement near Tamale, Ghana with Engineers Without Borders a few years back. It is either 5K or a half marathon and is a fundraiser in support of international development of third world countries where extreme poverty is a real issue. Christian wanted me to emphasize however – the run is not just for Engineers Without Borders – anyone can participate – in fact all individuals and organizations are encouraged to join in their city’s Run To End Poverty (presently held in Vancouver, Montreal, Winnipeg, and Waterloo) and if their city does not have a run, start one! Contact Christian at the Run To End Poverty website if you want to learn more. Here in Vancouver, the event piggybacks on the Scotiabank Half Marathon and on similar runs in other cities across the country.
One note on the music I’d like to make – and of interest to filmmakers – the two songs you will hear were blasting in the background during the race, and I leveraged this in post, laying down the real tracks for effect without a lot of consideration for rights. I do consider music rights of course – before using Tegan & Sara’s song in the trailer and then the full length versions of Surviving In The Cracks, I got their permission; Anyhow, last summer, when the bulk of this short was shot and edited, I highlighted to Christian this might be an issue, but we decided to push ahead believing the owners of the music would allow it, especially considering the non-profit use of this film. Interestingly however, Youtube muted Dire Straits’ song automatically when Christian tried to upload it there last week, so for now we’re hosting it elsewhere (my Vimeo account – with tight restrictions on embedding and sharing enabled to avoid being blocked again). Youtube is still our ultimate destination to reach the largest audience and in the meantime Christian has approached Dire Straits (and the Soca Boys too) to get their official permission. I am very interested to hear their answer.
2010 INTERNATIONAL DOC CHALLENGE: “133 Years of Music in Six Solos”
Jay Dabbler, a Vancouver drum and bass DJ, appears in "133 Years of Music in Six Solos"
Yesterday I dropped off a package to Fedex containing our – me, Angela, James and Alejandro: “Team Tippius” – entry to the 2010 International Documentary Challenge. 130 teams from 11 countries entered to write, produce, shoot and edit a 4-7 minute documentary based on a genre that we received in our inbox at 8am on the first day of the competition, last Thursday. Twelve finalists will be selected by a jury of documentary filmmakers and screened at Hot Docs, the largest documentary film festival in North America.
Karen Lee-Morlang, classical pianist
Naturally, in hindsight, there are some things that we would have done differently… from process, to creative, to research, type, lighting… pretty much everything. But in the end I think we ended up with a little gem. I’d be happy to share it with you, but unfortunately it needs to stay “secret” until Hot Docs.
Thanks to all of our artists: Scott Good, Karen-Lee Morlang, James Weekes, Neil Cruickshank, Pher, and Jay “Dabbler”. Also thanks to the artists who got back to us but we didn’t have time to include.
SERVICES: Director/Cinematographer
In the realm of filmmaking, I have finally put together a demo reel of my work from the last year and now I present it to the world. I believe that I am capable as a DIY (do it yourself) crew for creating an entire film from end to end (as I did with Surviving In The Cracks), but if there is one craft which I would call a strength/preference, I would have to pick cinematography. I do believe that my editing is also a strength, however when I think about which one I prefer, I would have to say cinematography, as running about with a camera in hand feels more appealing that sitting in front of a computer for weeks on end, especially during the summer months!
Thanks for watching, hope you enjoy, and please consider me for your cinematography needs!
SURVIVING IN THE CRACKS: All grown up! (to 56 minutes)
Screenshot from Surviving In The Cracks
Today I watched Surviving In The Cracks in its full 55 minutes and 50 seconds of glory on my roommate’s tiny little TV before dropping it in an ExpressPost envelope and sending it off to compete in the big leagues (NOT as a student film) in Toronto – Hot Docs – the largest documentary film festival in North America. Maybe (probably), like a proud parent, I may have shed a little tear as I watched it this last time, reminiscing at how my baby grew, finally ready to leave the nest after nine months of nurturing, long days shooting, sleepless nights editing, and several rejections pitching, this, my first (hopefully not my last) movie.
I wore a whole lot of hats in this project: writing, producing, directing, shooting, editing, and promoting it from the first day. But I certainly could not have done it without the help of many people, beginning with my brother, Dr. Jeff Masuda, who introduced me to the Surviving In The Cracks theatre project as a possible subject for a documentary. Then of course comes the Vancouver Youth Visions Coalition – Davina, Fraggle and Trevor, the openness of the cast, Amethyst and Cody especially but also Dave, Myke and Natasha, and the researchers Sean, Laura and Jenn. Lastly, and deserving of special recognition is Amanda, the director and driving force behind the theatre production. I would also like to mention Dr. Jim Frankish and Joyce Rock, who have supported and encouraged me along the way.
But what’s a movie without a soundtrack to bring it to life? Being somewhat clueless about music, I placed an enormous amount of trust in my composers and was not disappointed – I am extra thankful for the amazing contributions of Rachel Kidd, Connor Robinson and Tobacco Brown, and Tegan & Sara.
Finally, a special thank you to someone very important to me for her patience, support and encouragement, not to mention her frank and valuable input with regards to the graphics, typography, music – and life in general. Thank you Angela Karinn.
Tomorrow I will deliver this final cut to DOXA, another big league festival here in the west and then wait patiently so see if the film will be selected for either festival. I am also sending it in to Yorkton by the end of this month. Okay, reality check: what are the chances that my first film will be selected for any of these major festivals? I don’t know but I will let you know how it goes. I can dream can’t I?
Oh and finally finally – thanks Mom and Dad!
Whew! On to the next chapter for me.
SURVIVING IN THE CRACKS: 15 minute film screening at World Community Film Festival at Langara College Jan 29-31.
World Community Film Festival January 29-31, 2010
The 15 minute version of Surviving In The Cracks will be screening at the World Community Film Festival on Saturday January 30 at 1:15pm in Theatre 3 at Langara College Main Campus in Vancouver. The film is screening in the student category.
There are several VERY cool documentaries playing in this festival including RiP: A Remix Manifesto by Brett Gaylor, H2Oil by Shannon Walsh, and Fierce Light: When Spirit Meets Action by Velcrow Ripper. Visit the festival website for more information about the festival.
SURVIVING IN THE CRACKS: looking for music composer, animator, graphic artist, publicist, distributor and screeners
As the days count down to some big film festival deadlines, I am editing, editing, editing away at the longer version of Surviving In The Cracks. While I have not landed any structured financial support to complete this project I have received encouraging words from the likes of the National Film Board, Paperny FIlms and Knowledge Network. So onwards I go.
To enhance the depths of this version of the film I am looking for animators, graphic artists, music composers, and I am again in touch with Tegan and Sara, who generously allowed me to use their song “Divided” in my trailer this summer. I will need a publicist and a distributor as well, if you know of any good ones. Lastly, I am looking for screeners to view rough cuts and provide feedback. If you feel you have anything to contribute in any of the roles mentioned, please get in touch with me soon.
I intend to submit this version of the film to DOXA in Vancouver, Western Canada’s largest documentary film festival, Hot Docs in Toronto, Canada’s largest doc film fest, and Yorkton, in Yorkton, SK – the longest running film festival of its kind in North America. In the new year, I will continue to search for and submit to other appropriate festivals.
I also have some updates on a few of the actors, for those of you who have seen the play or caught the 15 minute film at VSFF. I took Cody out for lunch on Sunday and bought him his first G-Money burger from Vera’s – a sure bet to satisfy even the hungriest person. Cody is doing well, playing hockey, staying out of trouble, and he even gets to see his little sister from time to time. I showed him the film (he hadn’t seen it yet) and he laughed his head off. I went with Davina to see Fraggle perform in David Diamond’s “After Homelessness” Forum Theatre Production – wow, Fraggle is an amazing actor – go Fraggle! Here is a link to an article about that play. I also spoke with Amethyst a week ago and she seems to be doing well too.
Back to editing…
SURVIVING IN THE CRACKS: Radio Interview on CJSF 90.1FM and CITR 101.9FM
Welcome to any listeners who just tuned into CJSF 90.1FM to listen to my radio interview with Nick Pannu on the Artsindy Crossroads show! Thanks for listening and thanks for coming to visit my site. Click here to listen to the CJSF interview (22:44).
NEWS FLASH! A condensed 8 minute cut of the interview will be airing Wednesday, November 11 at 5pm PST on UBC’S CITR 101.9FM’s “Arts Report” show. You can listen to the CITR version here (8:25) or on Nick’s MySpace page.
As far as the interview goes, everything seemed to be pretty accurate, including the exhaustion in my voice. I don’t have any major factual corrections to make: “Davine” is actually “Davina”, “Surviving The Cracks” should be “Surviving In The Cracks”, Dr. Masuda is not a coordinator of the Vancouver Youth Visions coalition, he is one of the supervising researchers of the project, the safe houses closed 5 years ago (March 2004) not 3 years ago… and I think I said “film” in one spot (maybe two) when I should have said “play” and vice versa. I did my best to give the facts regarding the safe house closures – it’s all stuff I learned about while shooting the film. If you think I made any major goofs then feel free to contact me, but all of my info came from the source – the people who lived it.
Amanda Wager (the director of the play) and I have been spearheading the effort to keep the project going on a couple of fronts. One, while we are still in contact with the cast and crew, the play is on hold at the moment – mainly because we are short the necessary funds to mount another production. We are hoping to revisit this again soon, after Amanda finishes her comps for her PhD in Drama in Education.
Here’s the trailer for you in case you haven’t seen it.
On the film front, I am happy to say that I am presently in post production, cutting a long version of the film to submit to festivals such as DOXA and Hot Docs. (Unfortunately I’m doing this on my own dime – my pitches this autumn raised interest but, to date, no funds). The deadlines for both are December 18, so I have a lot of work ahead of me. This new version of the film will be the story that I really want to tell. The version that screened at VSFF was restricted to 15 minutes, and in this time I could not explore the people or the process in any meaningful depth. In the time that I have put into the new cut I am both delighted and intimidated by the amount of footage I have to work with in exploring these depths. I will be looking for a few screeners to provide regular feedback on rough cuts of this new film. If you are interested in helping out in this manner, or to help raise funds, please write me to let me know who you are, your background, and how and why you want to be involved.
Lastly, on the new media front, well, unless you have good reason and convince me otherwise, that will have to take a back seat to the longer film for now.
Well that’s my short response to the radio interview today. Thanks again to Nick at CJSF, and to you, the listeners. Stay tuned for future updates on the film, and become a fan of Surviving In The Cracks on Facebook!
